Kamis, 10 April 2014

Ebook Waltz with Bashir: A Lebanon War Story, by Ari Folman

Ebook Waltz with Bashir: A Lebanon War Story, by Ari Folman

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Waltz with Bashir: A Lebanon War Story, by Ari Folman

Waltz with Bashir: A Lebanon War Story, by Ari Folman


Waltz with Bashir: A Lebanon War Story, by Ari Folman


Ebook Waltz with Bashir: A Lebanon War Story, by Ari Folman

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Waltz with Bashir: A Lebanon War Story, by Ari Folman

From Publishers Weekly

While it must have been no easy task for Israeli filmmaker Folman and chief illustrator Polonsky to turn their groundbreaking, Golden Globe–winning 2008 animated documentary into a graphic novel, the transition from film to page is flawless. Folman's story is the account of how he came to grips with the repressed memories of the time he was a soldier in the 1982 invasion of Lebanon. As much a study of the fungible nature of memory as a dissection of the ease with which war zones can dehumanize ordinary soldiers, Waltz with Bashir uses the same journalistic technique for self-examination as David Carr did with Night of the Gun. Folman goes from one fellow veteran to the next, trying to get somebody to tell him what he can't remember. Bit by bit the holes are filled in—though never completely; the narrative is never cheapened by turning it into a simple mystery to be solved—as Folman sidles closer to the war's central horror: the massacre of Palestinians by Christian militias at two refugee camps. Utilizing frames that seem cut straight from the film, the book threads together Polonsky's darkly gleaming nightmare drawings into a seamless whole. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From School Library Journal

Grade 10 Up—Adapted from the Oscar-nominated animated film of the same name, this is a stunning investigation into one soldier's real-life experience during Israel's 1982 war in Lebanon. In 2006, Folman met up with a friend from his military service days, who told him of the recurring nightmares he had based on their experiences. Folman admitted to not remembering anything from the conflict and started a quest to find out what really happened to him during those traumatic days. He traveled across Europe interviewing former comrades, a reporter who covered the war, and his own psychologist to piece together at least some of the events that he lived through. As the story develops, both Folman and readers relive the terrors of the Sabra and Shatila Massacre, a tragedy that ended in the slaughter of more than 800 unarmed civilians by the Lebanese Christian Militia while Israeli forces let it happen. While Folman tackles many of the same wartime themes of violence and tragedy as Joe Sacco's Palestine (Fantagraphics, 2001), the additional explorations of memory and dream make the experience more personal. Polonsky's art reuses still images from the film. His clever eye for detail and creative sense for layout make the images explode on the page. Thought-provoking and emotionally powerful, this is a fabulous story for mature readers interested in wartime narratives told in a fresh, innovative style.—Matthew L. Moffett, Pohick Regional Library, Burke, VA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product details

Paperback: 128 pages

Publisher: Metropolitan Books; Edition Unstated edition (February 17, 2009)

Language: English

ISBN-10: 080508892X

ISBN-13: 978-0805088922

Product Dimensions:

7.2 x 0.5 x 10.4 inches

Shipping Weight: 1 pounds

Average Customer Review:

4.8 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#365,231 in Books (See Top 100 in Books)

This is a moving story related in the graphic format that is best known in comic books but has recently come into increasing use for serious novels and novelettes. The subject is an important one, based on real events in Lebanon in 1982. The principal protagonist and many of the other charactrs are Israelis who were performing their required military service at a time when Israel invaded Lebanon. Sent into Lebanon with little or no understanding of why, they soon found themselves ordered to shoot blindly in various directions, which at first they did with careless abandon. Gradually, however, they became aware that they were killing unarmed women, children and others. Many of these young Israelis suffered afterward from serious psychological problems. For the lead character, the result was complete loss of memory of what he was doing during that period, and the story is developed around his efforts, many years later, to recover that memory by talking with others who were in Lebanon at that time. That is the unfolding story of this graphic book, and it is not appropriate for me to disclose more of it here, or to say who Bashir is except that Bashir is not the protagonist's name.This work is powerful. For those not familiar with the events in Lebanon at that time, it is an intense way to gain some understanding of them, perhaps leading to more traditional book reading to get a broader historical picture. For those who do know the history quite well already, it is a vivid reminder of what is behind more recent happenings involving Israel and Lebanon. The story makes no mention of the U.S. role at the time, which was quite significant.

I found the book "Waltz With Bashir", since the film version is adapted from the graphic novel, to be one of the best true statements about war. With countless devastating, illegal and unnecessary conflicts spread about the world there is none (by soldiers from different observation positions) better than an eye-witness account. In near mint condition the book references the film virtually scene by scene.

I am loving my Waltz with Bashir graphic novel! Thank you!

The book itself is really nice, is a good work but the story I think was more deeply not just an another "story about", but the price was amazing!!!.

Very important book

This is what real war feels like. Confusing. Shameful. As a soldier in the Iraq war, I felt like the machine had been started by the powers that be. Once the machine is started, it is left unmonitored to do as much damage as possible. It doesn't matter when it stops or where or who it destroys in the process. It is war. You always hear that war is bad. I wish that meant something. Fact is, we will never learn. But there are some of us, Ari Folman included, that know the truth. And we will not be able to smile and go along with things the next time someone decides we need to start the machine.

Superb treatment of post-traumatic stress disorder and "postmemory." Highly recommended. J. Incledon

Well, true events described in a realistic way that you may forget that this is a graphic novel.

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