Free PDF Why It Does Not Have To Be In Focus, by Jackie Higgins
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Why It Does Not Have To Be In Focus, by Jackie Higgins
Free PDF Why It Does Not Have To Be In Focus, by Jackie Higgins
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Paperback. Pub Date :2013-09-16 Pages: 224 Language: English Publisher: Thames Hudson Why take a self-portrait but obscure your face with a lightbulb (Lee Friedlander. Provincetown. Cape Cod. Massachusetts (1968) Or deliberately underexpose an image (Vera Lutter. Battersea Power Station. XI: July 13. 2004) And why photograph a ceiling (William Eggleston. Red Ceiling. 1973) In Why It Does Not Have To Be In Focus. Jackie Higgins offers a lively. informed defence of modern photography. Choosing 100 key photographs with particular emphasis on the last twenty years she examines what inspired each photographer in the first place. and traces how the piece was executed. In doing so. she brings to light the layers of meaning and artifice behind these singular works. some of which were initially dismissed out of hand for being blurred. overexposed or badly composed. The often controve...
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Product details
Paperback
Publisher: Thames & Hudson Ltd (2001)
Language: English
ISBN-10: 9780500290958
ISBN-13: 978-0500290958
ASIN: 0500290954
Product Dimensions:
5.7 x 0.8 x 7.8 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#407,985 in Books (See Top 100 in Books)
A book that all serious beginning photographers should read if they want to make art. Come to think of it, more experienced photographers could learn something by reading this book....
Higgins brings together a plethora of photographers who shoot outside the box or with innovation so that you can put aside all the photography books that explain how to do it and reach for what another has successfully tried that has resulted in an image you might not ever have considered before.
It would be possible to be slightly mislead by the subtitle of this book - it's more about modern "photographs" explained rather than modern "photography". This book will not help with your technique although you might get some ideas about subject matter. Cynics might also suggest that it might make you more critical about deleting images you regard as failures! Such is the world of modern art - and this is really more about appreciation and understanding of modern art in the form of photographs. It does this by looking at about 100 images from different artist/photographers grouped into several themes:portraitsdocumentsstill lifeactionlandscapeabstractFor each image Higgins looks as why it is considered a "work of art", the approach of the artist, where this fits in the development of photographic art in general, comments by the artist and other ephemera as well as similar images by the artist and sometimes notes on the equipment used although less on the post image manipulation techniques that may have been employed.The structure of the book works well and it's good to either read through or to dip into. In a world that's awash with photographs, through Flikr, Instagram et al, it is highly moot what makes these images so "artistic". To some extent this is true of all modern art. And as with other aspects of modern art, there are times when I feel that, like a good joke, if art needs an explanation then it wasn't that successful in the first place.It's very much a visual book - as you might expect - with explanations of the artists' intentions etc. However, this means that if fails to address what makes any given image art rather than a good or bad photograph. However, if you are into the modern art aspect of photography, this is a more interesting book than if you come at it with a photographer's hat on.
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