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George Balanchine: The Ballet Maker (Eminent Lives), by Robert Gottlieb
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From Publishers Weekly
Starred Review. One would be hard-pressed to find a better match for Balanchine for this entry in the Eminent Lives series than Gottlieb, the distinguished editor and dance critic who for years was on the board of directors of the New York City Ballet. Although he knew Balanchine, Gottlieb is quick to point out it was not a close relationship: "To me... he was a god, and I saw my role as being some kind of messenger of the gods." But Gottlieb captures both the divine and human, offering an elegant, sharp and sophisticated take on the choreographer's life. In many instances he elaborates on points made in Bernard Taper's seminal biography, Balanchine. And he adds personal moments, such as Balanchine's comment regarding his choice of successor at the New York City Ballet: "Balanchine made that very clear to me as we were standing in the wings together.... 'It has to be Peter [Martins].... He knows what a ballerina needs.' " This loving tribute captures Balanchine's legacy: his energy, confidence, lack of pretension and, most important, his joy in creation. B&w photos. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From The New Yorker
Balanchine's reputation as a choreographer is so immense that his personality can be eclipsed, at least for those who never knew him. Gottlieb, an ardent fan since 1948, did come to know him a bit while serving on the board of New York City Ballet. In this brief yet energetic biography, he moves briskly through an extraordinarily eventful life. The early chapters detail Balanchine's fine musical education in Russia (piano, harmony, counterpoint), his dancing (curtailed by an injury when he was in his twenties), and his many false starts as he tried to gain a foot-hold in the West. A colleague of the period recalled performances in an insane asylum and a beer garden ("We followed a dog act"). Once in the States, Balanchine embraced every aspect of his new home, working on Broadway and in Hollywood, wearing bolo ties, and—in such works as "Slaughter on Tenth Avenue"—adapting the vocabulary of classical dance to the rhythms of America. Copyright © 2005 The New Yorker
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Product details
Series: Eminent Lives
Hardcover: 224 pages
Publisher: HarperCollins; 1st edition (October 26, 2004)
Language: English
ISBN-10: 0060750707
ISBN-13: 978-0060750701
Product Dimensions:
5.2 x 0.8 x 7.2 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#1,560,581 in Books (See Top 100 in Books)
I read just about everything on ballet there is. This was terrific and gave me an entirely different perspective on GB than I'd previously had. What a person!
a great follow up book to Balanchine and the Lost Muse. It picks up almost precisely where the other book ends, just as Balanchine is getting ready to launch his fabulous career.
Definitely of interest to any fan of the Balanchine choreography, and of the unique man himself. Enjoyable book, recommended to any balletomane.
As described and fast shipping.
Because it is a condensation of George's life, I find it dry, BUT will finish it!
Beautifully written with facts woven into a fascinating life story.A great introduction to the man George Balanchine and hisadmirable work.
Great history of a ballet king
Excellent work. Author is highly knowledgable and a skilled writer.
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