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Carlson's Guide to Landscape Painting
Download Carlson's Guide to Landscape Painting
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From the Back Cover
Written by a famous American painter and teacher, whose landscapes are found in many of the world's most noted museums, this book is known as one of the art student's most helpful guides. It provides a wealth of advice on the choice of subject; it tells what to look for and aim for, and explains the mysteries of color, atmospheric conditions, and other phenomena to be found in nature. Through his profound understanding of the physical nature of landscapes and his highly developed artistic sense, John Carlson is able to explain both the whys and the hows of the various aspects of landscape painting. Among the subjects covered are angles and consequent values (an insightful concept necessary for strong overall unity of design), aerial and linear perspective, the painting of trees, the emotional properties of line and mass in composition, light, unity of tone, choice of subject, and memory work. In the beginning chapters, the author tells how to make the best of canvas, palette, colors, brushes, and other materials and gives valuable advice about texture, glazing, varnishing, bleaching, retouching, and framing. Thirty-four reproductions of Mr. Carlson's own work and 58 of his explanatory diagrams are shown on pages adjoining the text. As Howard Simon says in the introduction: "Crammed into its pages are the thoughts and experiences of a lifetime of painting and teaching. Undoubtedly it is a good book for the beginner, but the old hand at art will appreciate its honesty and broadness of viewpoint. It confines itself to the mechanics of landscape painting but, philosophically, it roams far and wide. . . . This is a book to keep, to read at leisure, and to look into for the solution of problems as they arise, when the need for an experienced hand is felt." Unabridged republication of the revised (1958) edition.
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Product details
Series: Dover Art Instruction
Paperback: 144 pages
Publisher: Dover Publications; REV ed. edition (June 1, 1973)
Language: English
ISBN-10: 0486229270
ISBN-13: 978-0486229270
Product Dimensions:
8.5 x 0.5 x 11 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
341 customer reviews
Amazon Best Sellers Rank:
#12,981 in Books (See Top 100 in Books)
This is THE classic on landscape painting, especially if you are in the plein air group, working outdoors. Be forewarned though that this was written a good while ago and the language is rather formal, a little hard to get through. I've started reading it a few times and can never seem to get far. It's not particularly philosophical or academic, but just a formal style of writing. The info looks great. If you are new to "plein air painting" this is a great book, but another one that is a bit easier to read is https://www.amazon.com/Fill-Your-Paintings-Light-Color/dp/1581800533 Fill Your Paintings with Light and Color by McPherson. The language is more contemporary and it is a bit more 'hands on'. I started with the McPherson book and later got Carlson's.
This book has what I consider dated information and terminology. The author, was a Swedish-American, 1875-1947. Examples of his work suffer from being printed on poor quality paper stock and more importantly, in Black & White. Hello! This Dover edition was first published in 1973 and is an unaltered republication of the revised edition of 1958.I would suggest "Essential Concepts of Landscape Painting" by Mitchell Albala as an excellent book with great examples of Landscape painting concepts and it is shown in color. Visit page views 21 and 22 being printed in Black & White.
This is by far the best art “how to†I have ever read. The reality is this book should be a textbook in all art schools. I learned more in the first read than I would have thought possible after art school. I filled in some gaps in my education on the second read. Little things, such as varnish your paintings after they dry for a month, no bloom no oxidation of the surface. Not 6-12 months or more as I was told in school. That is just one item in a long list. Yes it would have been better if they would not have cut the book down. Yes it would have been better with color pictures. All of that said it was a very informative read and a must have for any artists that takes their painting seriously.
Must have for anyone who paints landscapes. Seriously. If I could only buy one book it would be this one, although there are many other great ones out there this hands down gives you what you need to know. Many of today's authors quoate John Carlson in their books. About the other people who have criticized it because there aren't colorful graphics- I have to say that's lame. Use your imagination, read the information. It's all there. Ok so it's not packaged like people would print today with a full color graphic on each page. It was written in 1958 back when knowledge was learned through words. If your not willing to think and imagine then I suppose this book won't work for you. If you are willing to take the time and read this book it will give you a cornucopia of information.
Wish I'd had this when I started painting plein air. Still found it very useful. Full of practical, basic tips for landscape painting, including how to paint trees and clouds, atmospheric perspective tips, materials and more. I love that Carlson not only explains WHAT to do, but also WHY, grounded in science. Like how the real-life arc of the sky influences how you paint it. Etc. I find many of these tips apply to portrait painting as well. Only disappointment is that Carlson's wonderful paintings are printed in black-and-white here. The ratio of text to photos in this book is high (way more text than photos), so if you don't like to think cerebrally about painting, this might not be for you. I, personally, found the book revelatory and also would recommend you google Carlson's paintings to see them in color. His trees are the best I've ever seen, crackling with drama and life.
love it
The pages of paintings are not in color, and the author does get a bit wordy, ( overly so that it is not always clear) I did find knowledge that is not always easy to find. Details of painting, that other authors did not describe. It is a most valuable book and I am glad I have it. It was published around the year I was born, therefor the style of text may be a bit dated but the information is timeless.
This is a vintage book, so the photos are black and white, but truly beautiful anyway. This book is well written, it is very helpful with many aspects of painting, technically and emotionally. I really felt inspired after reading it. I just felt like I could go paint and my paintings would be improved, and I feel they are. He sets a mood about painting, and I think it's important. All arts are affected by your mental state. I have found that I get a block at times, and it's hard to paint if you're not in the right creativity state. This book deserves to be on the "must read" for artists, it's a very pleasant read.
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