Minggu, 09 Desember 2012

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Product details

File Size: 16114 KB

Print Length: 52 pages

Publisher: Preacherboy Production; 1 edition (August 27, 2018)

Publication Date: August 27, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07GX2HRPM

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Sabtu, 08 Desember 2012

PDF Download Smart Love, by Jody Hayes

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Product details

Paperback: 180 pages

Publisher: Tarcher; 1st edition (March 1, 1989)

Language: English

ISBN-10: 0874774721

ISBN-13: 978-0874774726

Product Dimensions:

7.1 x 0.6 x 9.1 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#659,078 in Books (See Top 100 in Books)

This is a workbook that helps you find out how to nurture yourself by examining your childhood and then replacing the traumatic events of your childhood with the way your would nurture yourself as an adult. It is such a great book that I have given it to many people. This book shows you how to love yourself the way your weren't loved as a child and helps you move on. Wonderful, wonderful book.

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Rabu, 28 November 2012

Ebook Stunts, Tricks, and Jumps (Motorcycle Mania (CDROM)), by David Armentrout

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Product details

Series: Motorcycle Mania (CDROM)

Audio CD: 24 pages

Publisher: Rourke Publishing (FL); Cdr edition (August 1, 2008)

Language: English

ISBN-10: 1604727691

ISBN-13: 978-1604727692

Product Dimensions:

5.3 x 0.6 x 7.4 inches

Shipping Weight: 3.2 ounces

Average Customer Review:

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Amazon Best Sellers Rank:

#17,926,495 in Books (See Top 100 in Books)

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Rabu, 21 November 2012

PDF Ebook New York 1930: Architecture and Urbanism Between the Two World Wars, by Robert A. M. Stern

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New York 1930: Architecture and Urbanism Between the Two World Wars, by Robert A. M. Stern

About the Author

Robert A. M. Stern is Dean of the Yale School of Architecture, and has authored many books on architectural subjects. Gregory Gilmartin is an architect at Moore, Pennoyer & Turino. Thomas Mellins is an architectural historian and writer.

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Product details

Hardcover: 848 pages

Publisher: Rizzoli (October 27, 2009)

Language: English

ISBN-10: 0847830969

ISBN-13: 978-0847830961

Product Dimensions:

8.8 x 2.4 x 10.2 inches

Shipping Weight: 7.8 pounds

Average Customer Review:

5.0 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#917,372 in Books (See Top 100 in Books)

This is an encyclopedic description of New York as I remember it from my student years. The numerous neat clean photographs and drawings present an idealized city. But what is additionally fascinating are the rich background histories that illustrate the social and economic complexity of Gotham. I enjoy this book at two levels: one, as a valuable artistic document, two, as an encapsulation of the memories and fantasies of my youth. I bought a sport coat at Finchleys; I lived in the Greenpoint Housing Project; I wanted to work or live in those buildings; I wanted to draw like those architects and engineers. I loved these last embodiments of Art Deco construction and the grand civic projects.This history presents New York from the viewpoint of the upper crust and the insulated, the planning was grand and well funded. The slums, the dirt, the menace of some streets and the ethnic tapestry are ignored. Just as memory tends to purge the unpleasent, so does this book, which is probably why I enjoyed it so much.

This book is a "must have" if you have the other editions or if you are fascinated by NYC as I am.

Arrived in great condition!

I have collected about 55,000 books since I began my love affair with books when I was about 7, 55 years ago.One of my largest "departments" is architecture and urban studies.While it would be impossible for me to pick my favorite architecture book with any certainty, this book is probably the winner (shelved alongside the other tomes in this series about New York by Stern and friends).NY was/is one of the great art deco cities. Her nightclubs, hotels, office buildings, and apartments of the 1930s are/were some of the most visually intriguing structures mankind has ever imagined/built.This is THE book if you want to know more.Get used to black and white images which make you stop in your tracks.

When people talk about New York's Golden Age, they're usually referring to the late 1800s, but I would argue that New York's true Golden Age was the 1920s. With over 800 pages, this tome is difficult to handle, but nevertheless, it covers New York at its peak of glory, and is the best of Robert Stern's books about New York architecture (e.g., New York 1880, New York 1900, New York 1960). Especially noteworthy are the beautiful b&w photos, averaging more than one per page. There are also approximately 40 floor plans, although most page space is given over to text. The authors give attention to both exteriors and interiors of the era's buildings. Each chapter covers a specific type of building, with a special emphasis on Rockefeller Center, the 1939 World's Fair, 57th Street, and the works of architects Kahn, Walker, and Hood.

This is the New York people fall in love with, the iconic Art Deco skyline, the great skyscrapers of the 20's and 30's. When you see pictures of the skyline of the late 30's you can't help but be impressed by the awesome beauty of the all the spires. The modern skyline today is full of mediocre "modern" skyscarpers and post modern pretenders, I mean have you seen the pictures of the proposed Freedom Tower of SOM's David Childs, the very definition of bland; 1,776 feet of boring. As for this fantastic book, it's perfect; the images are well presented and the text scholarly, really an education on NYC architecture between the Great Wars. Highly Recommended.

on NY architecture.The entire collection is a MUST for every lover of NY.

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Senin, 19 November 2012

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Product details

Series: Harley-Davidson Great Roads

Map

Publisher: Mad Maps; 1 edition (November 1, 2007)

Language: English

ISBN-10: 193391162X

ISBN-13: 978-1933911625

Product Dimensions:

4 x 0.2 x 4 inches

Shipping Weight: 0.8 ounces

Average Customer Review:

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Amazon Best Sellers Rank:

#16,903,474 in Books (See Top 100 in Books)

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Senin, 05 November 2012

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Product details

Series: English for Everyone

Paperback: 320 pages

Publisher: DK (June 11, 2019)

Language: English

ISBN-10: 1465484663

ISBN-13: 978-1465484666

Product Dimensions:

7.7 x 9.2 inches

Shipping Weight: 13 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

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, by September Stone


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, by September Stone

Product details

File Size: 3001 KB

Print Length: 201 pages

Simultaneous Device Usage: Unlimited

Publication Date: January 14, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07MPVVBY7

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Amazon Best Sellers Rank:

#2,642 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This book didn't stop on a cliffhanger, so much as feel like the writer put her pen down and wandered away. I enjoyed the storyline and the characters. We gradually get to see what makes them tick. The sex scenes were erotic which was great. Many authors fail at that, making them unintentionally hilarious. I won't be reading more of this author's work however. I much prefer to read a whole story rather than part of it.

This is a uniquely crafted story. I love the take on Mother Nature. The sex is hot, the violence surprising, the relationships are beautiful.Having said all that, it hasn't hooked me. It's not a lack of talent, it just didn't hook it's claws into me. I don't know what to say, because it's a good book.I'd be happy to check out other series by the same author.

Great quick read. It's a new twist on the supernatural world. Highly recommend if you enjoy sci-fi/supernatural books. Can't wait to start the next book.

Love it. Can’t wait till the next one

Weird is about the only word I can use to describe this. I'm not sure I really liked this book, more like I liked the characters, and yet not them together? Lost? Ok let me break it down, we meet Sophia who mutes out other supernatural magic, a curse to her but a god send to those who are suffering. We meet one who can hear everyone's thoughts, and it brings in serious health issues, pretty much killing the poor guy, so once it finally stops when the brown headed girl shows up he right away connects them at the hip, he does w.e to be near her for this peace he's finally found, now this goes on to the next guy, and the next. You get the picture, what's hard to understand is how they come to a relationship? It's not cause the actually care about each other, but because they can't go back to how bad their lives once we're, and they continue to say this much throughout the book. They all are in it for something and it's kinda disturbing. Sophie is very weird, she starts fires, or rather mother nature does inside her, which is kinda mind boggling since I don't really consider fire starting a nature thing? Anyways, the way it's described in this read translates to more of a pyromanic. I mean she's killing ppl by burning them alive, whoa nature chick, I'm on the verge of considering this women is more demon possessed. Also the crying was to much, the feeling sorry, and the horrible nicknames in the book are just horrible. There is no character build, I have no idea what anyone really looks like, more the lines of cheap descriptions, I need more? Long story short very odd book with odd characters, odd powers, pretty much all around odd.

I really enjoy reading Fire Possessed!Sophie have been living her life among the mortal world as her powers won't harm them. Her unique abilities to silence the power around her, she have been avoiding the magical world to prevent havoc around the other supernaturals.But Mother Nature has a different plan for her. She pushed Sophie to do her bidding,, having no choice, Sophie heads to Twin River. When she arrives, Sophie expected people to treat her like her powers were a cursed, but instead four men sees her arrival as a true blessing; a remorseless vampire, Valor; Hagan, a bear shifter who's shifting abilities is uncontrollable; a psychic Carrigan who can hear peoples thoughts and Jonas who has suffered through many losses which makes him jaded.The men are drawn to Sophie and the chemistry between them is sizzling hot! What a great story line, the characters are unique and full of depth, I love the storyline and what a cliff hanger! I can't wait to read the next book!

Billed as a “full length reverse harem urban fantasy adventure”. What isn't mentioned is that it just abruptly ends with no resolution to the plot. Grr.Now that that gripe is out of the way. It's really the only gripe I have. Well, that and the cover, which looks like it belongs on a completely different book. I can't even begin to picture Sophie dressed the way the cover model is. Anyway, I used to read a lot of paranormal, and got a bit burned out on it. But the synopsis for this book sparked my interest as it sounded a bit different. And it very much is. In the world of this book, there are magical creatures, most of whom live in Twin Rivers. Sophie is a witch, but her magic is quite different than other witches, in that when she is around, other's magic disappears. Obviously, this makes her presence a bit unwelcome to others in the magical community. So Sophie's father raised her away from Twin Rivers, in a community where magic is unknown.Sophie has a connection to Mother Nature that I'm still a little unclear about. Mother Nature uses Sophie for her own purposes, and if Sophie refuses her bidding, Mother Nature retaliates by, say, burning her house down in the middle of the night. Mother Nature wants her to seek out a mage in Twin Rivers who can restore a lost river. So off Sophie goes, where one by one she meets up with the four men who I guess make up the “reverse harem”.I was a little afraid that this book was going to devolve into just a bunch of sex scenes between Sophie and the four men, with some loose storyline to connect them (I'm looking at you Anita Blake!). I'm happy to report that did not happen. In fact, there's not really any sexual action until midway through the book, and did not involve every character. But even then, the story still took precedence. The connection between Sophie and each of the other characters was clear, or if not clear at first, became clear as you learned more about the characters. And the characters are well written. Of course they are all quite different from each other, what with one being a shifter and one being a vampire. A couple of the men do not make good first impressions, but as the author peeled away the layers of their personalities, they become more liable, more vulnerable, and more welcome to the party.I read this book in two sittings. I probably would've read it straight through in one sitting if company had not shown up at my house. It did start out a little slow, but once Sophie met the first two men it picked up with some of the dialogue making me laugh. Also, I was on page 75 when it suddenly hit me that the narration is in present tense. My least favorite tense, and I didn't even notice until 75 pages in! Score one for the author, and I look forward to Book Two.

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Sabtu, 20 Oktober 2012

Download Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1)

Download Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1)

Reviewing the title of this book means that reviewing something to entail after obtaining the soft documents. Japanese Composition Notebook For Language Study With Genkouyoushi Paper For Notetaking & Writing Practice Of Kana & Kanji Characters: Memo Book With ... Learning Composition Book Plus) (Volume 1) includes the straightforward title, yet it's very simple and clear to constantly remember. Finding guide in this soft documents system will certainly lead you to understand exactly how actually it comes. It might be your best friend in investing the spare time.

Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1)

Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1)


Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1)


Download Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1)

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Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1)

Product details

Series: Language Learning Composition Book Plus (Book 1)

Paperback: 110 pages

Publisher: CreateSpace Independent Publishing Platform; Large Print edition (September 21, 2016)

Language: English

ISBN-10: 153777056X

ISBN-13: 978-1537770567

Product Dimensions:

8.5 x 0.2 x 11 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

26 customer reviews

Amazon Best Sellers Rank:

#190,791 in Books (See Top 100 in Books)

These are perfect for practicing kana and kanji. Flexible but not totally floppy, 8.5x11x0.25. Covers are thick enough to be useful without being too stiff to interfere with writing and both covers have a space for writing your name, course, work title, etc so you can use the book right to left or left to right, your choice. The spine is square/flat and allows the pages to be opened fully and has a small block for writing a name or number.The book has 112 pages total. Opening left to right (western style), the first page is ruled paper and headlined 'Table of Contents' so you can use it as that or just scratch. The last 2 pages are blank and can be used for whatever. The next to the last page has nice big hiragana and katakana tables with stroke order and romaji reading. 4th and 5th pages from the back are ruled and can be used for whatever. Pages 2-107 representing 53 facing pairs of ruled on the left, and columned boxes on the right. The columned pages have channels between the columns that you could write in the kana (furigana) if you were writing kanji in the column boxes.Overall this is a great notebook for writing kana/kanji on the right hand page and translations, romaji, notes, etc on the left ruled page which is how I am using it. So I write in the right hand column boxes Japanese style (top to bottom, right to left) then write the romaji, translation and notes on the ruled left page. There are 9 columns by 20 boxes on the right hand pages and 27 ruled lines on the left hand ruled pages. This gives you 3 lines of ruled per column if you want to translate, add notes, etc relative to the facing column page. The boxes in the columns are half inch by half inch and the channels between the columns are quarter inch. There is a half inch margin at the bottom of the columned pages so if you have to go over by one character you can. The ruled pages are 3/8th ruled. The pages are white and erase well if using quality pencils and erasers. Paper thickness is adequate and you only get faint impressions through to the next page if at all.Overall, nothing too cramped, nothing too big, exactly what you want. Very well thought out.Do yourself a huge favor and get some quality pencils, erasers, and a sharpener. It makes everything way more enjoyable. I recommend the following as these pencils are smooth as silk and easy to write with and can be nearly 100% erased with these erasers and these sharpeners just plain work:Sharpenershttps://www.amazon.com/gp/product/B015NZEC9G/ref=oh_aui_detailpage_o00_s02?ie=UTF8&psc=1Erasershttps://www.amazon.com/gp/product/B001Q4HQVU/ref=oh_aui_detailpage_o05_s00?ie=UTF8&psc=1Pencilshttps://www.amazon.com/gp/product/B001BKZVWU/ref=oh_aui_detailpage_o01_s00?ie=UTF8&psc=1

Nice genkoyoshi notebook. However, it is quite a bit larger than normal notebooks and the cover is not thick- it's just paper with wax covering. This makes the notebook very susceptible to bending and warping.

Good features:Nice art and texture on coverBoth box and line pagesKana chart in the backNeeds Improvement:Paper quality isn't great, but it's okDoesn't open flatWould prefer a hard coverOverall, I quite like this notebook. It has a lot of intersting features like numbered pages, a table of contents, and several places to include name/subject/volume number, etc. The text boxes with instruction on how to use these features is a bit superfluous. I only wish the cover was hard like a regular composition book. Otherwise, this is a really cool notebook.

It is an excellent notebook, it came whit Genkouyoushi and also whit regular "occidental" lines, so you can practice kana and also write the meaning of the words or kanji. The paper is resistent enough and the cover is durable (waxed).It is a little longer than letter paper.

TheNotebooksRterrifBUTdelvryPACKAGEcardboardWasVeryWetAsTwasDelvrdOnVeryRainyDaySoHadInotIMMEDIATELYtakenProductsOutOfVeryWetBox,TheydveSufferedSignificantH2Odamage!(SinceByGoodFortuneIwasHome@TimeOfDelvry,Damage2TheseGr8NotebooksWasAvoidedBUTitWasPURELYcoincidenceThatPreventedMyPurchasesOfTheseFromBeingDestroyedByFoulWeather!BoooooOnAMAZON'sCHEAPLackOfSimpleInnerPlasticProtectiveWrapOnThem!

- Cover of book is like a suede texture. (But it’s not suede)- Nice quality notebook, pages lay out flat.- Front of the page is grid lines and the back of each page is horizontal lines for English writing.- There is even a Katakana & Hiragana chart in the back.

I love this notebook for practicing kanji. It's not archival quality, nor high end, but perfect beginner's practice notebook. The matte cover really makes it feel nicer than it really is. Will definitely buy another as my practice matures.

Not only does this Notebook have the needed spaces for practicing Kanji and Hiragana/Katakana, but there's also lined pages and all the pages are numbered, which means that you can make your own Table of Contents and organize you're entire notebook! Such a great tool for learning Japanese!

Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1) PDF
Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1) EPub
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Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1) Kindle

Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1) PDF

Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1) PDF

Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1) PDF
Japanese Composition Notebook for Language Study with Genkouyoushi Paper for Notetaking & Writing Practice of Kana & Kanji Characters: Memo Book with ... Learning Composition Book Plus) (Volume 1) PDF

Selasa, 09 Oktober 2012

Ebook , by Lois Tverberg

Ebook , by Lois Tverberg

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, by Lois Tverberg

, by Lois Tverberg


, by Lois Tverberg


Ebook , by Lois Tverberg

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, by Lois Tverberg

Product details

File Size: 10911 KB

Print Length: 289 pages

Publisher: Baker Books (January 2, 2018)

Publication Date: January 2, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0741F2YS4

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Amazon Best Sellers Rank:

#25,989 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

If you want to more clearly understand what Jesus meant when he taught His disciples, this book is a great place to start. (And follow it up with the other Rabbi Jesus books.) I could list any number of reasons I loved this book, but I’ll limit myself to only one.Chapter 5 is entitled “Greek Brain, Hebrew Brain” for a very good reason. Most of us in the western world think very “Greek-ly.” The world of the mind is at the forefront of our reasoning. Not so with the Hebrew. Theirs is one of concrete thought. Hence, faith isn’t something you think. It’s something you do! Love isn’t a feeling. It’s an action. Jesus said, “If you love me, you’ll keep my commandments” not, “If you love me, you’ll feel ooey-gooey inside during worship.” That distinction alone puts a whole new meaning on “Love your neighbor as yourself.” That’s the kind of distinction that changes me.I can’t say enough good things about this book and the others that Lois has written. Looking forward to the next one!

Lois’ books are eye-opening in the way she shares her biblical knowledge & wisdom from a Hebrew perspective. Her new book, in particular, explains the importance of reading the Bible from an eastern lens, as the Bible was written by & for an ancient eastern audience. This may seem insignificant, but as Lois explains in her newest book, it’s everything when reading, interpreting & applying biblical principles to our lives.I’ve read & enjoyed every book Lois has written, but I consider this her best, most significant book to date. When Christians separated from their Jewish roots, they lost so much. Greek, Westernized thinking became prevalent, yet its worldview is in stark contrast to how the biblical writers thought, wrote & lived. It’s to every modern Christian’s advantage to begin afresh with open eyes, ears & hearts to what our living bible speaks to us from ancient days ago, from its Mother Tongue.This book will light a new fire in hearts to begin a deeper, more exciting way to study the Bible. When I started studying from a Hebraic perspective, I started having fun studying the Bible! I felt like I walked through a new, exciting portal that led me to find new gems all the time. I hope “Reading the Bible with Rabbi Jesus” ignites the fire in many people around the world!

I have never been disappointed with any book from Lois Tverberg. I don't know how she does it. A relatively new believer could understand this book, but as a seasoned pastor who himself has authored two Jewish Roots book, I never fail to learn new bits of information or gain new perspectives from all of her books. And this one is no exception.Tverberg's insights into the difference between Western (Greek) thinking and Ancient Near Eastern (particularly Hebrew) thinking is excellent.If people ask me which is my favorite Tverberg book, my answer is "Whichever one I am reading."If you have interest in the Jewish Roots of Christianity -- whether a layman, pastor, or academic -- I think you will enjoy this clear but informative (and challenging) read.By the way, you do not need to read her books in sequence. Each books is self-contained, so jump in anywhere.

One of the best books I’ve read that helps us understand the Bible in its context and meaning. In our western world we miss so many nuances of the land and the people where the scripture is set. This book will help you to understand the culture, the people, and so much more. This could be the best book you read all year to grow in your knowledge, understanding and faith of God.

The New Testament was originally written in the context of the Hebraic culture. As Christians, we can gain a great deal of insights to our beliefs from the Jewish perspective. Lois Tverbe has written an excellent book provides a valuable bridge between these two important cultures. We’re a lot more alike than we are different.

This final book in the series was an excellent book to end the study of the Jewish perspective on studying about Jesus and the culture of Israel.

Lois has done it yet again. Great book full of very insightful knowledge to help us unlock the true context of the scriptures

Used this book for a women's Interdenominational Bible Study. We were amazed at how much we've missed as Gentiles. Very readable basic book was easy to follow. As study leader, it helped me to prepare each lesson in a logical way.

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Sabtu, 06 Oktober 2012

Download Ebook The Art of Fine Enameling

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The Art of Fine Enameling

Review

Foreword by Ulysses Grant Dietz, Chief Curator Emeritus, The Newark Museum

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About the Author

With a love for teaching and a 40-year passion for enameling, Karen L. Cohen shares her knowledge of this time-tested art form. Her first love is Cloisonné enameling on fine silver for the luminosity, depth, and variety of color, but she also enjoys working in an array of techniques on copper. She is proud to present this completely revised and updated edition of her book, to which over 165 artists have contributed.

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Product details

Paperback: 248 pages

Publisher: Stackpole Books; Second edition (November 1, 2019)

Language: English

ISBN-10: 0811737926

ISBN-13: 978-0811737920

Product Dimensions:

8.5 x 11 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

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#9,509 in Books (See Top 100 in Books)

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Kamis, 13 September 2012

Free PDF The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meara

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The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meara


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The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meara

Review

“Captivating and exhaustively researched…This is a fascinating slice of Hollywood history with a feminist slant, correcting a sexist wrong from decades ago and restoring Patrick to her rightful place of esteem.” —Publishers Weekly (starred review)"Mallory O'Meara's book is a long-overdue tribute to Milicent Patrick, who made her way in Hollywood when women were never given equal standing. Patrick, an artist, actor, and colorful hostess, had an incredible life, and O'Meara lets us know the good and the bad of it." —Charlaine Harris“The Lady From the Black Lagoon is not just a story that needed to be told, the exact right person told it. At some point, the book starts to resemble troika dolls: echoes of Milicent Patrick’s life can be heard in Mallory O’Meara’s life, and echoes of Mallory’s can be heard in ours, the readers. It’s then that you realize how profound this book really is.” —Josh Malerman, author of Bird Box“There's never a dull moment in this beautiful, heartfelt tribute to a pioneering special-effects designer and animator and passionate call for change in the industry that forgot her.” —Booklist, starred review"Particularly timely in light of the #MeToo movement... Enganging [and] forthright." —Library Journal"With THE LADY FROM THE BLACK LAGOON, Mallory O'Meara has performed true magic. It's a non-fiction detective story, with O'Meara chasing the mystery of how the woman who designed one of cinema's most famous monsters was erased from movie history. It's an intimate, personal quest, and an irrefutable indictment of Hollywood sexism both past and present. It's a love letter to monsters, and to those of us who cherish them. Even if you're not a regular non-fiction reader, you owe it to yourself to read this book. You'll thank me later." —Christopher Golden, New York Times bestselling author of Ararat and The Pandora Room“The woman behind the classic monsters of our collective Hollywood fantasies finally comes to life within this compelling odyssey of betrayal, broken dreams and shining resilience. Spanning the worlds of film, animation, horror and glamour, Mallory O’Meara richly reweaves the splintered mystery of Milicent Patrick into a dead-on expose of Hollywood then and now. Dive in!” —Mindy Johnson, author of Ink & Paint: The Women of Walt Disney's Animation“An idiosyncratic, much-needed biography of ‘a woman before her time’… this passionately written biography will do much to bring Patrick the recognition she deserves.” —Kirkus Reviews"The Lady from the Black Lagoon is a celebration of the life and shamefully overlooked work of Milicent Patrick. It's also an unflinching, from-the-front-lines recounting of Hollywood's toxic patriarchal culture, a history of all manner of monsters. You'll be infuriated at the legacy of continuing injustice but inspired by the talent, will, and spirit of Milicent Patrick and Mallory O'Meara." —Paul Tremblay author of A Head Full of Ghosts and The Cabin at the End of the World"Like many women film pioneers, Milicent Patrick's trailblazing creature design and special make-up effects work has largely gone unrecognized, overlooked or even attributed to men. The Lady from the Black Lagoon shines a vital light on one of the unsung women heroes of cinema." —Jovanka Vuckovic, author of Zombies! An Illustrated History of the Undead“O'Meara's deep dive into this unfairly-forgotten genius of character creation enriches Hollywood history and should inspire future lady monster-makers for years to come.” —Sam Maggs, author of Girl Squads and Wonder Women“At times laugh-out-loud funny, at others deeply moving, this engrossing book challenges the reader to look beyond what they think they know to see the secrets those in power have tried to bury.” —Alexandria Brown, Librarian and author of Hidden History of Napa Valley“The movie business is full of secret and forgotten histories. In The Lady from the Black Lagoon, Mallory O’Meara dives deep into one of these tales. She tells the story of Milicent Patrick, who designed an iconic monster and was an important Disney animator at a time when women were more tolerated than celebrated. Weaving strands of Hollywood lore with Patrick’s biography and her own personal history, O’Meara has written a book that’s as entertaining as it is necessary.” —Richard Kadrey, author of Hollywood Dead

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About the Author

Mallory O'Meara is an author, screenwriter and a producer for the independent film company Dark Dunes Productions. Whether it is for the screen or the page, she seeks creative projects imbued with horror and monsters. A New England native, she now lives in Los Angeles.

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Product details

Hardcover: 336 pages

Publisher: Hanover Square Press; Original edition (March 5, 2019)

Language: English

ISBN-10: 1335937803

ISBN-13: 978-1335937803

Product Dimensions:

6.1 x 1.2 x 9.3 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#2,111 in Books (See Top 100 in Books)

I work in the film industry. And, yes, I've seen first-hand the kind of discrimination against woman that Mallory O'Meara reveals in "The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick."Women are slighted, overlooked, under valued and under compensated every day and not just in the film industry. Even today this kind of discrimination is rampant in many industries, so Mallory O'Meara does well to devote her book to this issue. The book is even more of a spotlight because O'Meara highlights the work and career of Milicent Patrick. Patrick was a wonderfully creative makeup artist, special effects designer and animator. She was the first female animator at Walt Disney Studios and the creator of the Creature from the Black Lagoon. And she was totally disregarded, never received the credit due to her and has largely been forgotten by history.My problem with the book is that the subject material is much too close to O'Meara. This causes rage and anger to infect her writing. She has every reason to feel strongly as she has been victimized in many of the same ways as the subject of her book. However, a writer needs a degree of detachment to effectively deal with a subject--especially one as fragrant as the treatment of Patrick and, yes, even O'Meara herself. This turns the book into a more of a vendetta than a exposure of a wrong that continues to be done.Hollywood is laden with discrimination. As an older actor, I see it every day. It needs exposed, it needs refuted and it needs to be corrected. I'm just not sure that "The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick" will accomplish that noble purpose.

In the 1950s, a young artist and background performer of various film roles designed what is easily the most visually arresting of the Universal horror movie monsters. Employed in the special effects shop at Universal Studios, Milicent Patrick created the Gill Man for the 1954 film, Creature from the Black Lagoon. While her creation would become one of the most recognizable and iconic movie monsters in cinema, Patrick would unfortunately become lost to history as her supervisor’s jealousy, rampant sexism in the film industry, and a total lack of proper crediting of filmmaker’s roles in 1950s, all worked together to obscure and all but eliminate her legacy.Thankfully, film producer, author, Milicent Patrick fan, and Creature from the Black Lagoon obsessive, Mallory O’Meara has stepped in to unearth Patrick’s forgotten history and set the record straight with her wonderful The Lady from the Black Lagoon. Given the unfortunate state of obscurity Patrick fell into, O’Meara certainly had her work cut out for her. Luckily, she’s a dogged investigator and was able to piece together Patrick’s puzzling history through a whole lot of archival research, industry contacts, and interviews. Over the course of her writing, O’Meara notes the various confluences that have randomly, surprisingly, and unknowingly linked her to Patrick over the course of her life. There’s a certain sense of destiny at work in these moments that are quite charming and really make you root for O’Meara’s efforts to uncover and reveal Milicent’s buried history.The Lady from the Black Lagoon is meticulously assembled and presents a candid and honest representation of O’Meara’s personal hero without being slavish or overly fannish. And make no mistake, O’Meara is most certainly a fan, one who even sports a tattoo on her arm of Patrick and the Creature. She is wholly devoted, though, to teaching us about Patrick’s life, warts and all. I knew hardly anything at all about Milicent Patrick going into this book, but it’s safe to say I’m certainly a fan now, too.Patrick is a vitally important figure in film history, and not just because of what she’s created, but what she could represent for future generations of women in the arts. Patrick is the first and only woman to have ever designed an iconic movie monster. Think about that. In almost 65 years of cinema, there has not been another notable creature designed by a woman. And over those same 65 years, men and history have sought to completely eliminate Patrick’s role in designing the Creature, giving sole credit to her manager, Bud Westmore, who ran the special effects shop at which she was employed.Throughout the course of The Lady from the Black Lagoon, O’Meara writes with firey passion at the injustices perpetrated upon Milicent Patrick. She’s angry, and rightfully so. Hell, I’m mad right now just thinking about all the various issues raised over the course of this book’s 300-plus pages. And if you have any kind of a conscious or sense of fairness, this book will justifiably tick you off, too.While uncovering the history of Patrick’s legacy is clearly a passion project for O’Meara, The Lady’s focus is not limited solely to the special effects artist. O’Meara’s research places Patrick within the context of her time, but the author smartly compares those issues of 1950s sexism and male domination over Hollywood to the present day, within the scope of the #MeToo era. It’s sad and disgusting just how little has changed in six decades, and how fully sexist, male elitism still thrives within Tinseltown. O’Meara doesn’t bother hiding her anger and these injustices, and more power to her. She, too, has been objectified countless times, as has every other woman working in Hollywood. At one point she relates a personal story of, as a producer for Dark Dunes Productions, having cast a male actor to voice a character for one of their films. Upon meeting O’Meara and seeing her green-dyed hair, he immediately volunteers to help dye her pubic hair. Incidents like these are not rare in Hollywood, and O’Meara reports that every single woman she knows in the film industry has many, many, many stories like hers.The toxic environment that defined the 1950s era of filmmaking is alive and well in present day, and 65 years later, O’Meara has found far too many similarities between her own experiences and those that utterly destroyed Patrick’s career. As O’Meara writes in her introduction, “It’s not just her story. It’s mine, too.” Sadly, it’s the story of every woman in Hollywood then and now, present-day, right now, right this minute. The jealous claims to fame that Bud Westmore latched on to and used to ruin Patrick’s career and her future in special effects are hardly a thing of the past. In 2017 and 2018 we saw, first-hand, women finally speaking out, publicly and openly, about the sexist state of their industry, the decades of abuse they’ve had to endure from repulsive figures like Harvey Weinstein. It’s a serious issue that demands exploration and rectification, as well a reclamation for the histories of women that were ruined solely to appease or protect powerful men.How many other women have played vital roles behind the scenes in Hollywood, only to have their contributions covered up or credited to their male counterparts? How many women around the world have been denied representation, denied even the idea that they, too, could create horror icons or work in the special effects industry? The fact that all of the most well-known special effects artists are men “didn’t seem strange to me,” O’Meara writes. “It was status quo. … I had never seen myself reflected in the world of horror filmmaking. The possibility of it never crossed my mind.” When she began writing The Lady from the Black Lagoon in 2016, 96% of that year’s films were directed by men, only a four percent difference from the 100% of male directed films of 1954 when Creature from the Black Lagoon was released. “It’s harder for women to get into Hollywood than it is for us to get to space,” she writes, nothing that sixty women have been to space between 1983 to now, but that only one woman, Kathryn Bigelow, has ever won an Oscar for Best Director in 2010. Their roles in front of the camera are little better, with the vast majority of speaking roles going to men, with the film leads being men, with the action heroes being men, with the monsters being men, and the artists creating the monsters being men. Characters like Ellen Ripley and Buffy Summers are not the norm; they are outliers and few and far between at that. When women are able to break through the male domination of Hollywood, they are routinely questioned on how they landed any given job, with the automatic assumption being that they slept with their boss rather than worked hard and were actually talented. No, even then, the automatic default for a woman in Hollywood is to be reduced to nothing more than a sex object. It’s repulsive and infuriating.The Lady from the Black Lagoon is a necessary read and a vital contribution to our society’s (sadly) on-going discussion on issues of representation and equality. It’s a much deserved biography of an important, and overlooked, woman and her contributions, but it’s also a hell of a lot more than just an accounting of Milicent Patrick’s history. O’Meara takes note of the historical injustices that beset Patrick and explicitly shows us how little we’ve progressed societally and with women in film, and by tackling these issues of rampant sexism in cinema, she’s raised the bar in terms of awareness and combating these issues with her outspokenness. Speaking as a man, if there are any male readers out there bemoaning all this, my only advice to you is to simply shut the hell up and listen, because you should be learning from these women and their experiences and working hard at being better.[Note: I received an advance copy of this title from the publisher via NetGalley.]

I give O'Meara a lot of credit for tackling this subject. It's clear from the details of her search that finding good, correct information about Millicent Patrick was not easy. O'Meara has collected a tremendous amount of evidence for her biography, and her portrait of Patrick is vibrant and enjoyable.Having spent a lot of time reading academically, I was initially put off by the conversational tone and glib notes that O'Meara peppers throughout her writing. However, after considering that the target audience for the book is probably horror hobbyists, those who are far removed from the classic horror she's writing about and encounter it only as artifacts of the past - I think it may be merited. It certainly makes it easy to read. It's not a dry and highly annotated scholarly work and does not set itself out as such.There's also a potent combination of O'Meara's own experiences with the older content. Including modern instances of discrimination, unpleasant or unprofessional behavior and harassment was a bold choice given how often such claims are minimized and dismissed by people who have a vested interest in continuing the status quo. The examples serve to make the harassment and objectification that Patrick experienced feel more fresh and relevant, so ultimately I think they do more good than harm.Over all this was an enjoyable ride. What it lacked - and it desperately needs - is photos. I'm not sure whether they will be included in the final release of the book but I hope that they will. I had to read with my phone in hand. Thankfully Patrick has become somewhat of a cause célèbre over the last year or two, and many blogs and articles cite her work on the Creature and other projects, including photos of her at work, or the famous press tour photos of her posing with props.

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