Free PDF The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meara

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Review

“Captivating and exhaustively researched…This is a fascinating slice of Hollywood history with a feminist slant, correcting a sexist wrong from decades ago and restoring Patrick to her rightful place of esteem.” —Publishers Weekly (starred review)"Mallory O'Meara's book is a long-overdue tribute to Milicent Patrick, who made her way in Hollywood when women were never given equal standing. Patrick, an artist, actor, and colorful hostess, had an incredible life, and O'Meara lets us know the good and the bad of it." —Charlaine Harris“The Lady From the Black Lagoon is not just a story that needed to be told, the exact right person told it. At some point, the book starts to resemble troika dolls: echoes of Milicent Patrick’s life can be heard in Mallory O’Meara’s life, and echoes of Mallory’s can be heard in ours, the readers. It’s then that you realize how profound this book really is.” —Josh Malerman, author of Bird Box“There's never a dull moment in this beautiful, heartfelt tribute to a pioneering special-effects designer and animator and passionate call for change in the industry that forgot her.” —Booklist, starred review"Particularly timely in light of the #MeToo movement... Enganging [and] forthright." —Library Journal"With THE LADY FROM THE BLACK LAGOON, Mallory O'Meara has performed true magic. It's a non-fiction detective story, with O'Meara chasing the mystery of how the woman who designed one of cinema's most famous monsters was erased from movie history. It's an intimate, personal quest, and an irrefutable indictment of Hollywood sexism both past and present. It's a love letter to monsters, and to those of us who cherish them. Even if you're not a regular non-fiction reader, you owe it to yourself to read this book. You'll thank me later." —Christopher Golden, New York Times bestselling author of Ararat and The Pandora Room“The woman behind the classic monsters of our collective Hollywood fantasies finally comes to life within this compelling odyssey of betrayal, broken dreams and shining resilience. Spanning the worlds of film, animation, horror and glamour, Mallory O’Meara richly reweaves the splintered mystery of Milicent Patrick into a dead-on expose of Hollywood then and now. Dive in!” —Mindy Johnson, author of Ink & Paint: The Women of Walt Disney's Animation“An idiosyncratic, much-needed biography of ‘a woman before her time’… this passionately written biography will do much to bring Patrick the recognition she deserves.” —Kirkus Reviews"The Lady from the Black Lagoon is a celebration of the life and shamefully overlooked work of Milicent Patrick. It's also an unflinching, from-the-front-lines recounting of Hollywood's toxic patriarchal culture, a history of all manner of monsters. You'll be infuriated at the legacy of continuing injustice but inspired by the talent, will, and spirit of Milicent Patrick and Mallory O'Meara." —Paul Tremblay author of A Head Full of Ghosts and The Cabin at the End of the World"Like many women film pioneers, Milicent Patrick's trailblazing creature design and special make-up effects work has largely gone unrecognized, overlooked or even attributed to men. The Lady from the Black Lagoon shines a vital light on one of the unsung women heroes of cinema." —Jovanka Vuckovic, author of Zombies! An Illustrated History of the Undead“O'Meara's deep dive into this unfairly-forgotten genius of character creation enriches Hollywood history and should inspire future lady monster-makers for years to come.” —Sam Maggs, author of Girl Squads and Wonder Women“At times laugh-out-loud funny, at others deeply moving, this engrossing book challenges the reader to look beyond what they think they know to see the secrets those in power have tried to bury.” —Alexandria Brown, Librarian and author of Hidden History of Napa Valley“The movie business is full of secret and forgotten histories. In The Lady from the Black Lagoon, Mallory O’Meara dives deep into one of these tales. She tells the story of Milicent Patrick, who designed an iconic monster and was an important Disney animator at a time when women were more tolerated than celebrated. Weaving strands of Hollywood lore with Patrick’s biography and her own personal history, O’Meara has written a book that’s as entertaining as it is necessary.” —Richard Kadrey, author of Hollywood Dead

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About the Author

Mallory O'Meara is an author, screenwriter and a producer for the independent film company Dark Dunes Productions. Whether it is for the screen or the page, she seeks creative projects imbued with horror and monsters. A New England native, she now lives in Los Angeles.

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Product details

Hardcover: 336 pages

Publisher: Hanover Square Press; Original edition (March 5, 2019)

Language: English

ISBN-10: 1335937803

ISBN-13: 978-1335937803

Product Dimensions:

6.1 x 1.2 x 9.3 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#2,111 in Books (See Top 100 in Books)

I work in the film industry. And, yes, I've seen first-hand the kind of discrimination against woman that Mallory O'Meara reveals in "The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick."Women are slighted, overlooked, under valued and under compensated every day and not just in the film industry. Even today this kind of discrimination is rampant in many industries, so Mallory O'Meara does well to devote her book to this issue. The book is even more of a spotlight because O'Meara highlights the work and career of Milicent Patrick. Patrick was a wonderfully creative makeup artist, special effects designer and animator. She was the first female animator at Walt Disney Studios and the creator of the Creature from the Black Lagoon. And she was totally disregarded, never received the credit due to her and has largely been forgotten by history.My problem with the book is that the subject material is much too close to O'Meara. This causes rage and anger to infect her writing. She has every reason to feel strongly as she has been victimized in many of the same ways as the subject of her book. However, a writer needs a degree of detachment to effectively deal with a subject--especially one as fragrant as the treatment of Patrick and, yes, even O'Meara herself. This turns the book into a more of a vendetta than a exposure of a wrong that continues to be done.Hollywood is laden with discrimination. As an older actor, I see it every day. It needs exposed, it needs refuted and it needs to be corrected. I'm just not sure that "The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick" will accomplish that noble purpose.

In the 1950s, a young artist and background performer of various film roles designed what is easily the most visually arresting of the Universal horror movie monsters. Employed in the special effects shop at Universal Studios, Milicent Patrick created the Gill Man for the 1954 film, Creature from the Black Lagoon. While her creation would become one of the most recognizable and iconic movie monsters in cinema, Patrick would unfortunately become lost to history as her supervisor’s jealousy, rampant sexism in the film industry, and a total lack of proper crediting of filmmaker’s roles in 1950s, all worked together to obscure and all but eliminate her legacy.Thankfully, film producer, author, Milicent Patrick fan, and Creature from the Black Lagoon obsessive, Mallory O’Meara has stepped in to unearth Patrick’s forgotten history and set the record straight with her wonderful The Lady from the Black Lagoon. Given the unfortunate state of obscurity Patrick fell into, O’Meara certainly had her work cut out for her. Luckily, she’s a dogged investigator and was able to piece together Patrick’s puzzling history through a whole lot of archival research, industry contacts, and interviews. Over the course of her writing, O’Meara notes the various confluences that have randomly, surprisingly, and unknowingly linked her to Patrick over the course of her life. There’s a certain sense of destiny at work in these moments that are quite charming and really make you root for O’Meara’s efforts to uncover and reveal Milicent’s buried history.The Lady from the Black Lagoon is meticulously assembled and presents a candid and honest representation of O’Meara’s personal hero without being slavish or overly fannish. And make no mistake, O’Meara is most certainly a fan, one who even sports a tattoo on her arm of Patrick and the Creature. She is wholly devoted, though, to teaching us about Patrick’s life, warts and all. I knew hardly anything at all about Milicent Patrick going into this book, but it’s safe to say I’m certainly a fan now, too.Patrick is a vitally important figure in film history, and not just because of what she’s created, but what she could represent for future generations of women in the arts. Patrick is the first and only woman to have ever designed an iconic movie monster. Think about that. In almost 65 years of cinema, there has not been another notable creature designed by a woman. And over those same 65 years, men and history have sought to completely eliminate Patrick’s role in designing the Creature, giving sole credit to her manager, Bud Westmore, who ran the special effects shop at which she was employed.Throughout the course of The Lady from the Black Lagoon, O’Meara writes with firey passion at the injustices perpetrated upon Milicent Patrick. She’s angry, and rightfully so. Hell, I’m mad right now just thinking about all the various issues raised over the course of this book’s 300-plus pages. And if you have any kind of a conscious or sense of fairness, this book will justifiably tick you off, too.While uncovering the history of Patrick’s legacy is clearly a passion project for O’Meara, The Lady’s focus is not limited solely to the special effects artist. O’Meara’s research places Patrick within the context of her time, but the author smartly compares those issues of 1950s sexism and male domination over Hollywood to the present day, within the scope of the #MeToo era. It’s sad and disgusting just how little has changed in six decades, and how fully sexist, male elitism still thrives within Tinseltown. O’Meara doesn’t bother hiding her anger and these injustices, and more power to her. She, too, has been objectified countless times, as has every other woman working in Hollywood. At one point she relates a personal story of, as a producer for Dark Dunes Productions, having cast a male actor to voice a character for one of their films. Upon meeting O’Meara and seeing her green-dyed hair, he immediately volunteers to help dye her pubic hair. Incidents like these are not rare in Hollywood, and O’Meara reports that every single woman she knows in the film industry has many, many, many stories like hers.The toxic environment that defined the 1950s era of filmmaking is alive and well in present day, and 65 years later, O’Meara has found far too many similarities between her own experiences and those that utterly destroyed Patrick’s career. As O’Meara writes in her introduction, “It’s not just her story. It’s mine, too.” Sadly, it’s the story of every woman in Hollywood then and now, present-day, right now, right this minute. The jealous claims to fame that Bud Westmore latched on to and used to ruin Patrick’s career and her future in special effects are hardly a thing of the past. In 2017 and 2018 we saw, first-hand, women finally speaking out, publicly and openly, about the sexist state of their industry, the decades of abuse they’ve had to endure from repulsive figures like Harvey Weinstein. It’s a serious issue that demands exploration and rectification, as well a reclamation for the histories of women that were ruined solely to appease or protect powerful men.How many other women have played vital roles behind the scenes in Hollywood, only to have their contributions covered up or credited to their male counterparts? How many women around the world have been denied representation, denied even the idea that they, too, could create horror icons or work in the special effects industry? The fact that all of the most well-known special effects artists are men “didn’t seem strange to me,” O’Meara writes. “It was status quo. … I had never seen myself reflected in the world of horror filmmaking. The possibility of it never crossed my mind.” When she began writing The Lady from the Black Lagoon in 2016, 96% of that year’s films were directed by men, only a four percent difference from the 100% of male directed films of 1954 when Creature from the Black Lagoon was released. “It’s harder for women to get into Hollywood than it is for us to get to space,” she writes, nothing that sixty women have been to space between 1983 to now, but that only one woman, Kathryn Bigelow, has ever won an Oscar for Best Director in 2010. Their roles in front of the camera are little better, with the vast majority of speaking roles going to men, with the film leads being men, with the action heroes being men, with the monsters being men, and the artists creating the monsters being men. Characters like Ellen Ripley and Buffy Summers are not the norm; they are outliers and few and far between at that. When women are able to break through the male domination of Hollywood, they are routinely questioned on how they landed any given job, with the automatic assumption being that they slept with their boss rather than worked hard and were actually talented. No, even then, the automatic default for a woman in Hollywood is to be reduced to nothing more than a sex object. It’s repulsive and infuriating.The Lady from the Black Lagoon is a necessary read and a vital contribution to our society’s (sadly) on-going discussion on issues of representation and equality. It’s a much deserved biography of an important, and overlooked, woman and her contributions, but it’s also a hell of a lot more than just an accounting of Milicent Patrick’s history. O’Meara takes note of the historical injustices that beset Patrick and explicitly shows us how little we’ve progressed societally and with women in film, and by tackling these issues of rampant sexism in cinema, she’s raised the bar in terms of awareness and combating these issues with her outspokenness. Speaking as a man, if there are any male readers out there bemoaning all this, my only advice to you is to simply shut the hell up and listen, because you should be learning from these women and their experiences and working hard at being better.[Note: I received an advance copy of this title from the publisher via NetGalley.]

I give O'Meara a lot of credit for tackling this subject. It's clear from the details of her search that finding good, correct information about Millicent Patrick was not easy. O'Meara has collected a tremendous amount of evidence for her biography, and her portrait of Patrick is vibrant and enjoyable.Having spent a lot of time reading academically, I was initially put off by the conversational tone and glib notes that O'Meara peppers throughout her writing. However, after considering that the target audience for the book is probably horror hobbyists, those who are far removed from the classic horror she's writing about and encounter it only as artifacts of the past - I think it may be merited. It certainly makes it easy to read. It's not a dry and highly annotated scholarly work and does not set itself out as such.There's also a potent combination of O'Meara's own experiences with the older content. Including modern instances of discrimination, unpleasant or unprofessional behavior and harassment was a bold choice given how often such claims are minimized and dismissed by people who have a vested interest in continuing the status quo. The examples serve to make the harassment and objectification that Patrick experienced feel more fresh and relevant, so ultimately I think they do more good than harm.Over all this was an enjoyable ride. What it lacked - and it desperately needs - is photos. I'm not sure whether they will be included in the final release of the book but I hope that they will. I had to read with my phone in hand. Thankfully Patrick has become somewhat of a cause célèbre over the last year or two, and many blogs and articles cite her work on the Creature and other projects, including photos of her at work, or the famous press tour photos of her posing with props.

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Ebook Download Moonlight Avenue

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Moonlight Avenue

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About the Author

Gerri Hill has thirty published works, including the 2014 GCLS winner The Midnight Moon, 2011, 2012 and 2013 winners Devil’s Rock, Hell’s Highway and Snow Falls, and the 2009 GCLS winner Partners, the last book in the popular Hunter Series, as well as the 2013 Lambda finalist At Seventeen. Gerri lives in south-central Texas, only a few hours from the Gulf Coast, a place that has inspired many of her books. With her partner, Diane, they share their life with two Australian Shepherd’s―Casey and Cooper―and a couple of furry felines.

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Product details

Paperback: 298 pages

Publisher: Bella Books (March 19, 2019)

Language: English

ISBN-10: 1642470279

ISBN-13: 978-1642470277

Product Dimensions:

5.4 x 0.6 x 8.2 inches

Shipping Weight: 12.3 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#17,228 in Books (See Top 100 in Books)

Every Spring and every Fall when I reset my clocks I anticipate a new Gerri Hill book. This spring I was introduced to wanna be lawyer turned detective turned security guard turned private investigator, Finley Knight or Finn for short. Finn is a loner whose only friend is an eighty-two year old janitor, Sammy, who clean her office complex located on a foggy dead-end road called Moonlight Avenue in Corpus Christi. Finn has no girlfriend but often thinks of a one-night stand with a young blond she met in a bar six months prior. According to her daydreams their chemistry was life changing. As Finn goes about her life she investigates a variety of cases, especially cheating spouses.One day someone named Rylee Moore approaches Finn's office looking for employment. Rylee does not take no for an answer and is finally hired as a receptionist. After some murders ensue Finn and Rylee begin to investigate the mysterious happenings. They work with Dee Woodard, a detective from the Corpus Christi police department.The book was well paced, it kept me interested, the chemistry between the main characters sparked, and the sexual tension grew after the main characters admitted as interesting fact to each other. Give Ms. Hill's latest offering a read, since like the time change, another book won't be available for six months!

Woohoo! I'm in every book lover's paradise right now! This author gave me one of the best mystery/thrillers I have read for the year and I am giving her the coffee cup honor because I was reluctant to put down my kindle and go to bed. Finley also known as Finn, stole my heart from the first page because she is the epitome of the strong, silent and super confident professional private eye. If I had to be a fictional character, I would definitely be Rylee because she loves food as much as I do! She is the perfect investigating sidekick and I adore everything about her. There isn't a dull moment in this book and I am pretty sure that I wasn't the only one to lose sleep because I got caught up in Finn and Riley's world. I can't wait to read another captivating story from this superb author!

YES! Gerri Hill's crime/mystery/thriller bug is back in full force with her latest, "Moonlight Avenue!" I KNEW it!! Haven't had THIS much fun since her Hunter, Ross & Sullivan and Johnston & Riley serials!! Read it in one swift sitting! I especially LOVED this latest one, which certainly could turn into a series if the ending (and a certain third MC in the book for that matter!) were any indication, which I'm dead chuffed by the sheer possibility of it!The reason why "Moonlight Avenue" is now my favourite crime/mystery story and series (if it’s expanded into one, that is!) of Hill's as opposed to her other serials of the same genre comes in threefold:1) It involves a private investigation agency headed by one of the main protagonists, Finn, a P.I. (Private Investigator). A profession I've always been fascinated with because of how unrestricted, unorthodox it is when it comes to solving crimes/mysteries. Less rules, so to speak, not to mention, having a wider scope in terms of who to work with including various branches of the law enforcement, types of cases (meaning, more interesting stories to tell and plots to devise). A refreshing choice of profession as it's not commonly utilised/featured in lesfic's crime genre, plus the way Hill detailed the intricacies of the P.I.'s job is what makes it thrilling, so vastly different from the usual three letter agencies (FBI, CIA, DEA, etc...) because it's right on the edge of the always-fascinating grey area - legal/illegal, lawful/unlawful, right/wrong, making it more dangerous, ever riskier and obviously more thrills. So, naturally, I was excited by it all! Well done, Ms. Hill, for mixing things up in this well-utilised genre in lesfic!2) A deliberately unhurried slow-burn romance which, imo, is the ideal way to have romance in the crime/mystery genre, so that the crime itself doesn't get sidetracked whilst the romance can build up slowly throughout the book, making it more like a backdrop of the crime/mystery plot, always present but never eclipsing the main case. In this one, Hill nailed it on the head, making the entire execution of the story (crime and romance) evermore effective, equally fascinating and satisfying. And worth mentioning, Hill's delivery of Finn & Riley's slow-burn was nothing short of addictive and downright fun to explore!3) There's a THIRD protagonist! Yup, a detective, with her own interesting back story to boot! In essence, it's a TRIO of kick-arse women involved in the case (and potentially others in future!). When Hill introduced Dee into the fold in this book, I immediately exclaimed, "Charlie's Angels!!" Yup, Charlie's Sabrina, Kelly & Jill/Kriss vs. Hill's Finn, Rylee and Dee. Three strong, independent, resourceful women with the smarts and skill-sets, solving crimes under the umbrella of a private investigation agency. Sound familiar? Even MORE cool and badarse? All three are lesbians!!! I bloody LOVE it!!! Finally we have our very own Angels-in-action in the world of lesfic!I absolutely loved how Finn and Rylee came together. "Fate, it seems, is not without a sense of irony." Refreshing, I thought. You'll see. Finn, a P.I. for a decade after leaving the police force, a loner with a past that she was still reeling in, not to mention, a mystery woman who'd been invading her mind for reasons you'll find when you read the book. Then, Rylee, who had her own very interesting past to deal with, showed up one day out of the blue, asking her for a job. Loved that scene, as described and relayed so effectively by Hill. It immediately reminded me of Robert Galbraith's Cormoran Strike and Robin! Read and see if you agree...that is if you’ve read the Strike series, obvs! Finn had a dark family past, so did Cormoran. Robin was interested in the sleuthing and went from being Strike’s assistant to partner-in-crime, so was Rylee, albeit under very different and defo more intriguing circumstances. Both Finn and Cormoran were loners, quiet and broody. Robin and Rylee were more upbeat, go-getters, assertive. Their yang to their bosses’ yin, really.I LOVED Rylee! LOVED her character - so fascinating to me, a total opposite of Finn's, which worked out fabulously well in every angle. Their chemistry was off the charts from the moment they laid eyes on each other. And their moment was totally different because of.... well, you simply have to read it to find out why their encounter and its related circumstances were different. I thought it was such a brilliant and refreshing idea, tbh! Really made their chemistry even more acutely endearing, not to mention, HOT! If you know Hill's writing, it's guaranteed that how she weaved Finn and Rylee's connection will most definitely ensnare your impulses, leaving you wanting more! I certainly did!The best thing about these two characters that was so utterly different than the other couples in Hill's crime genre? The very deliberate pacing of the slow-burning flame of romance, harnessed ever-so seductively between Finn and Rylee every time they were in each other's space, which paralleled each step of progress made in their crime/mystery investigation, slowly heating up to a fever pitch of lingering yearning and aching longing for the characters and the reader, alike (for me at least!), as their tentative professional relationship slowly became something more sensual, more provocative, deeper, as they eventually got closer and more daring with their attraction and desire for each other.And then there was the always-alluring age-gap trope, which Hill played it very well as depicted in the tantalising banter and dialogue that ensued between Rylee and Finn. This was where Rylee truly shone in her character as she tenaciously probed, prodded and scrutinised Finn's carefully built emotional walls, slowly breaking them down, penetrating her inner feelings as Finn knew she could no longer resist Rylee's magnetic pull. I utterly enjoyed how Hill dealt with the age-gap issue which I thought was invigorating to explore! I won't elaborate here because it needs to be read directly for its effect. The only thing I'd say is it's one reason why I absolutely loved Rylee! She's just too adorable, at times playfully flirtatious and cheeky, with that irresistible "glint" in her eyes! In other words, perfect for someone like Finn (imo!). I could see these two going through all those slow dance steps, IRL, tbh! Well done, Ms. Hill!I had so much fun with the stake out and surveillance scenes that Finn and Rylee were both involved in. It was whilst they were cooped up in the car together that most of the explorations of their own feelings and thoughts about each other came to be. It was a thrill to explore their relationship that way because Hill would inject their work activities (recon work, brain-storming of theories and ideas about the case during their stake outs in the car) in-between Rylee's attempt to penetrate Finn's emotional walls and getting to know her more. All the attempts from both Rylee and Finn to change the subject whenever they felt they had gone too far in the personal in their interactions, made their chemistry and the intensity of their mutual desire/attraction for each other even more intoxicating! This dance carried on in their office as well which was just such fun to read! In other words, Hill did it again with her brilliant knack for producing ardently expressed words and dialogue that make the reader feel the intensity of the MCs' feelings and desire for each other ever-so intrinsically. Hence, making Rylee and Finn's romance evermore engaging, flowing so naturally in the crime/mystery genre.Speaking of the genre, as usual, Hill's crime/mystery plot was absorbing and tickled my sense of intrigue and curiosity as usual with her persuasive weaving of various angles and possibilities that tied to the trio's investigations, evidence and pure instincts. I loved the fact that a couple of the crimes had a personal effect on Finn, past and present, which I won't divulge here because it needs to be explored by the reader directly in order to feel the sense of urgency, intrigue and suspense. Plus, the implications opened the door to Finn's inner psyche as Rylee attempted to have a better understanding of the object of her attraction and growing desire who was also her boss, if that weren't complicated enough already! I was also gratified by Hill's methodical approach to elaborating Finn's profession as a P.I., all the details that encompassed the scope of her job in the field - surveillance, tailing, taking pictures, and particularly noting the specific time of each encounter. I was captivated by all the intricacies of the field work of a private eye! That's one of the main reasons this book is now my favourite crime story/potential series of Hill's (even though it's still not officially a series yet but it's my wish, nonetheless!).Meanwhile, I also enjoyed the inclusion of Dee who completed the trio, whose friendship with Finn was explored from the ground up so their growth throughout the story felt authentic. When Rylee was subsequently introduced into the fold, it was even more entertaining, with all the insinuations, banter and teasing (you need to read it to absorb the hilarity of it!), making their camaraderie so much more realistic and fun! The trio's chemistry was so organic and genuine. I truly believed their friendship. I could see them delving into future cases together, investigating and solving them whilst having fun together! I simply can't wait to see if Hill will expand it into a series, so I get to explore deeper into Dee's character and her back story, particularly where Angela was concerned! Oh, just wait until you read this book and you'll see how Hill managed to make Dee's character compelling enough to pique my curiosity to a level that I wanted to find out more especially about her residual emotional link to her so-called past relationship despite Hill's limited revelations about her back story/past. Fingers crossed, the next installment will feature Dee and Angela... Thanks to Hill's effective description of Dee's inner psyche regarding Angela, I really am rooting for them. Oh well...a reader can wish, can't she? Besides her personal life, I was also thrilled that Hill also explored how Dee's involvement with Finn and Rylee would ultimately force her to face her dilemma as the investigation reached a point of her having to question her own loyalty to the police force versus her sense of duty to solve the case that slowly but surely dissolved into chaos as more bodies began to drop, and the lives of the people she cared about were at stake including her own. All in all, I had such gratification and much fun delving into the story - the intriguing case with all its chaos, conspiracies, not to mention, the miscellaneous cases that Finn was hired to do as a P.I., the trio of characters, Finn, Rylee and Dee, all of whom had absolutely compelling back stories and captivating personas, Finn and Rylee's fantastic chemistry and that deliciously slow-burning romance that was oh-so irresistibly seductive and sensual especially with that mutual "obstacle" going on between them..! Yeh, read and find out! I thought it was quite refreshing and addicting to read particularly when it was played out in parallel with an active crime investigation they were trying to solve. Well done, Ms. Hill!Anyway... I can't recommend "Moonlight Avenue" HIGH enough because Hill has once again managed to weave together both genres (crime/mystery+romance) of the story with effortless ease, giving it an authentic flavour. If you ask me, one simply can't go wrong with Gerri Hill's writing and storytelling. So, if you're a fan of the crime/mystery genre with a well-crafted plot wrapped in a sizzlingly portrayed age-gap, slow-burn romance, you're in for a treat! You'll see! And with the possibility of it expanding into a series, I'm unapologetically thrilled and excited about it, rubbing my hands in anticipation for more Rylee and Finn and most definitely Dee's turn to have her share of thrills and romance (hopefully!)! And yes, this book was a bloody fantastic read for me, and then some! I'm already on my second read!

Another absolutely fantastic book by Gerri Hill, in much the same vein as Hunter's Way. A great mystery and interesting characters, with love and friendship growing amid the chaos. LOVED IT!!!

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