Rabu, 29 September 2010

Download PDF , by Andrew G. Bostom

Download PDF , by Andrew G. Bostom

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, by Andrew G. Bostom

Product details

File Size: 8639 KB

Print Length: 701 pages

Page Numbers Source ISBN: 1591023076

Publisher: Prometheus Books (December 29, 2010)

Publication Date: December 29, 2010

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0046RDPZU

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This is a wonderful book. Dr. Bostom's scholarship is impeccable.This book provides a clear and honest picture of Islam and Jihad over the course of history. And in learning that history we can learn our future if we do not resist the spread of Islam. As they say, "Those who do not learn from history are doomed to repeat it".There is a reason why the mainstream media and Islamic Supremacists are working so hard to whitewash Islam an Jihad, and to hide the recorded history of Islam... they know that if we non-Muslims do not learn the truth, then we will not resist Jihad.We non-Muslims can no longer afford to be ignorant of Islam, or of history, and this book goes a long way towards dispelling that ignorance.

Andrew Bostom's The Legacy of Jihad is a priceless foundational source for any American who is wondering why Muslims so often visit terrible violence upon non-Muslims. The answer to the question is found within the doctrines of Islam. The author has meticulously assembled and arranged for translation of a vast array of historical and eye-witness accounts of the three great waves of jihad. His presentation leaves no doubt that Islam's history and ongoing adherence to doctrinal violence against non-Muslims poses a very real, imminent threat to the survival of Western Civilization.Included in this hair-raising expose' are narratives written by witnesses to, and victims of, the Muslim holy wars, which have been responsible for the deaths of more human beings than any other ideology in the history of the world. When one takes into account the mass exterminations by Stalin, Hitler and Mao Tse Tung, that fact takes on sinister significance.The Legacy of Jihad's accounts of the horrors suffered by the conquered and the vanquished are graphic and, yes, shocking.While following Dr. Bostom's no-holds-barred journey through the centuries of terror, the reader cannot help but come to a disturbingly deeper understanding of the true meaning of the term "jihad". Jihad is an unthinkably violent and destructive institution of Islam.Andrew Bostom was thorough in his investigation, providing us a road map through centuries of war, arson, rape, repression, slavery and brutal cruelty, from Muhammad's lifetime to the present-day. The author prosecutes his case relentlessly and honestly, using the devastating evidence left to us by jihad's history.The Legacy of Jihad was a key resource for me, providing legal and historical bases for my third novel, A Summons To Perdition.Dr. Bostom has given us a most valuable gift, which we should put to good use in educating ourselves to what we are really up against in this World War. I highly recommend The Legacy of Jihad. A national understanding of the issue at hand will be necessary if we are to continue living as a free people. And should our civilization manage to survive the relentless onslaught of Islamic jihad, our descendants will owe a debt of gratitude to men such as Andrew G. Bostom.

This is a great book to read for teachers and students to learn. The book touches on area's of jihad that have taken place in areas that I didn't even realize particularly in the black sea area and Caucasus mountains . This jihad war has been happening for over many centuries according to this book wow boy oh boy.

This book is a very comprehensive treatment of the unique Islamic phenomena of Jihad (often called the 6th pillar of Islam). The book is very heavily footnoted and will be a guide for scholars for many years.It is clear that although there is a personal dimension to Jihad, the portion emphasizing violent raiding, war, and subjection of other people has been a major activity of Muslims since the 620's and continues today. Any description of Islam as the religion of peace only refers to relations between Muslims. (Even there it has seldom been peaceful). As for a Christians, Jews, Buddhists, Hindus, Zoroastrians, and any other "non-believers" it has been an unending source of forced conversion, murder, rape, genocide, and slavery.Even before an areas occupation and rule by Muslims, raids for booty and slaves might be an annual occurrence. In the area of Afghanistan-Pakistan-India these raids depopulated areas, destroyed the culture, and impoverished the survivors for a period of 500 years. The Muslins then took over and governed much of the area for another 500 years. The intense hate between Hindus and Muslims has very long roots and ample justification.The area now dominated by Islam was once over 90% Christian and Zoroastrian, now these two faiths comprise about 1% of the population in that area. How did that happen? Bostom and the other authors provide the answer and it sure wasn't preaching, convincing and converting.In addition to major sections by Bostom there are sections by 20 other major contributors and historical writings by a number of Muslim writers making up 40 separate sections. A number of items are translated into English for the first time in this book.I heartily recommend this book to anyone who has any doubts about the motivations of the Islamic Jihadists we now face.It is apparent that the usual descriptions of the Western Crusades into the Holy land as violent, cruel and bloody may be accurate, but they were of such trivial magnitude as to be described as mere pinpricks against the long tide of bloody conquest and enslavement that has been Islamic Jihad.It took me at least 4 times as long to read as the usual non-fiction, but I consider it to be one of the most essential in the long list of books one must read to become familiar with Islam.

This book provides a detailed account of jihad, incorporating writings of a number of scholars and religious authorities spanning the centuries since the beginnings of Islam. As such, it provides insight into the belief held by some Muslims that jihad is an integral part of their faith. However, this book needs some better copy editing - there are several typographical errors that detract from its scholarly authority.

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Minggu, 26 September 2010

PDF Ebook American Vertigo : On the Road From Newport to Guantanamo, by Bernard Henri Levy

PDF Ebook American Vertigo : On the Road From Newport to Guantanamo, by Bernard Henri Levy

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American Vertigo : On the Road From Newport to Guantanamo, by Bernard Henri Levy

American Vertigo : On the Road From Newport to Guantanamo, by Bernard Henri Levy


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American Vertigo : On the Road From Newport to Guantanamo, by Bernard Henri Levy

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Product details

Hardcover: 384 pages

Publisher: Gibson Square; Second printing edition (2006)

Language: English

ISBN-10: 1903933870

ISBN-13: 978-1903933879

Product Dimensions:

6.1 x 1.4 x 8.7 inches

Shipping Weight: 1.2 pounds

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#3,764,515 in Books (See Top 100 in Books)

Very deep interesting discussion/read

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Rabu, 22 September 2010

Download PDF , by Stacey Alabaster

Download PDF , by Stacey Alabaster

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, by Stacey Alabaster

Product details

File Size: 1959 KB

Print Length: 110 pages

Simultaneous Device Usage: Unlimited

Publisher: Fairfield Publishing (April 14, 2019)

Publication Date: April 14, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07NHVCMYS

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Minggu, 19 September 2010

Ebook Download White Line Fever: The Autobiography, by Janiss Garza

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About the Author

Since 1987, Janiss Garza has been writing about very loud rock and alternative music. From 1989 to 1996, she was senior editor at RIP, at the time the world’s premier hard music magazine. She has also written for the Los Angeles Times, Entertainment Weekly, and the New York Times. She cowrote White Line Fever with Motorhead founder Lemmy Kilmister.Lemmy Kilmister was born in Stoke-on-Trent, Wales. Having been a member of the Rockin' Vicars, Opal Butterflies, and Hawkwind, he formed Motorhead, the legendary English heavy metal band.  Kilmister has been credited as an enormous influence on the genres of rock, heavy metal, death metal, punk, and speed metal. He turned out scores of albums and toured prolifically.  He was also the author of White Line Fever: The Autobiography. Kilmister died December 28, 1015, of cancer and heart failure, leaving behind a huge musical legacy.

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Product details

Paperback: 320 pages

Publisher: Citadel (January 1, 2004)

Language: English

ISBN-10: 0806525908

ISBN-13: 978-0806525907

Product Dimensions:

6 x 0.9 x 9 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

239 customer reviews

Amazon Best Sellers Rank:

#41,106 in Books (See Top 100 in Books)

Was never a huge Motorhead fan, but as I started to get more into Rock I started liking heavier stuff. In fact, when I started to read Rock memoirs, I was finding a new appreciation for the genre, the lyrics, and the sounds. So far I've read Sex, Money, Kiss (Gene Simmons), WAR (Axl Rose) and would not recommend either. After that I moved on to the Crue's "Dirt", Duff McKagan's "It's So Easy and Other Lies", and both "The Heroin Diaries" and "Life..." which are both through Nikki Sixx's distorted lenses. I would recommend all of those to Rock n' Roll enthusiasts, fans, and people who like "junkie" books. It was the hilarity and sincerity in "I am Ozzy" that inspired me to look into Lemmy's book. After finding my way through "the Noise" in Steven Tyler's head (good book, but confusing), reading Lemmy's look on life was refreshing to say the least.Lemmy offers a little of everything - his views on life, his friends, family, and bandmates, his career, and even politics. It is not devoid of hilarious road stories, shenanigans, the girls, or the drugs (as the title suggests), but it is not a junkie book in the least. If that's what you're looking for, you may want to reconsider, but either way you will enjoy the book - his stories don't disappoint. This book is about 'Rock n' Roll Music'. Lemmy will recount his look on music from the fifties until it was published. He takes you through his career, band changes, shows, and frustration with record companies and all the scrapes, injuries, and accidents along the way. He includes stories and opinions of his and other bands (male and female) from various subgenres of rock music and the progression of rock music, especially in his career. This includes the inspiration and opinions behind all Motorhead albums, many songs, and the stories from their respective tours.It really does sound like he's talking to you, and you will enjoy the conversational tone in which it is written. It is not jumbled, overly creative, or trippy (like Tyler's book) in the least. You will without a doubt enjoy the more conservative and straight-up personality of Lemmy and his unique take on life, the universe, and everything. If you are looking for a history of Motorhead, a new perspective on Rock music, the biography of Lemmy, or just need something entertaining to read, "White Line Fever" offers an excess of everything.

I think I first heard Motorhead in 1982, and was a fan of the music from the beginning. Later, I got exposed to Lemmy as a person (see his bits in "The Decline of Western Civilization, Part II"), and you just had to love the guy's personality. Unabashedly happy in the midst of the lunacy he created, he was a rare mix of insanity and durability that you can only appreciate after you hear the unhinged tales of his life. Reading this is a lot like sitting down with him over a few beers and listening to his stories, complete with the sort of self-deprecating side comments that you'd expect in a conversation. Some artists are tortured, but Lemmy was just having a ball the whole time through, and it made reading his autobiography a delight.

I’d heard good things about this book, and I knew I needed to know more about Lemmy, so I went out and bought it. Good thing I did!! It’s great fun, and like nearly every autobiography I’ve ever read starts with a modern life anecdote before heading into the usual “when I was a lad…” stuff, about growing up, in Lemmy’s case with a single mum, a deadbeat dad (who he at least acknowledges with a picture in the pictures section) and not-much-better jailbird stepdad.It quickly gets into music, which some people would sneer is an alien concept for this noisemaker and hellraiser. For a hardass like Lemmy, people may be surprised that his favorites are Little Richard, Jerry Lee Lewis and Elvis Presley, the usual stuff that punkers and heavy metallers usually don’t refer to. But then again, you have to remember – Lemmy’s old enough to have seen them when they were starting out, even if his heart is as young as the snottiest upstart metal brat (there’s a great quote in the movie that Rollins relates: “I remember before there was rock and roll. I remember when there was only Rosemary Clooney records. Then we heard Elvis Presley and there was no turning back.”). He talks about the mods and the rockers. “The Mods used to wear eye make-up too, especially the boys. The crowd of people I was in disliked them, but in retrospect, it was no worse than what we were doing. I mean, we thought they were sissies, and they thought we were yobs – and you know, we were both right.” There’s a great story about befriending Jon Lord of Deep Purple, then living with a young Ron Wood and Art Wood. He also hung out with the Beatles (and, as we find out in the documentary, had a child with a girl who lost her virginity to John Lennon).The Beatles revolutionized rock ‘n’ roll, and they also changed the way everyone looked. It seems ludicrous now, but for those days, they had very long hair. I remember thinking, ‘Wow! How can any guy have hair that long?’ Really, it was just combed forward, with a slight fringe over the collar. We all had quiffs then – before the beatles, it had been ducktails and Elvis.He compares the Beatles and the Stones, overturning the impression that the Beatles were mellow and the Stones were dangerous: the Beatles, being from a tough town like Liverpool, knew how to take care of themselves, whereas “the Rolling Stones were the mummy’s boys – they were all college students from the outskirts of London.” There’s also the great story of him working as a roadie for Jimi Hendrix for a year and a half (and in the documentary he talks about helping Hendrix score acid, ten hits at a time – Hendrix was generous and would take seven tabs, and give Lemmy the other three.When he performed, he would drive the chicks nuts. I’ve seen him go in his bedroom with five chicks – and they’d all come out smiling too. And of course, the road crew got the spin-offs. A stud, Hendrix was; and I’m crass enough to think that’s quite a good thing. I don’t know what’s wrong with being a stud – it’s more fun than not being a stud, that’s for sure!In the movie there’s a funny quote from Lemmy: “people ask me what I think of Prince; I say ‘I’ve already seen Jimi Hendrix.’” A funny tale about the other guys in The Experience:I liked the other two guys in the Experience, too. Noel Redding was all right, only he used to wear a nightshirt to bed, and Alladdin-type shoes with the curly toes and a nightcap with a tassel. That was quite a sight. Mitch was nuts, as he still is today, in fact. One time I was standing on a traffic island in the middle of Oxford Street and Mitch bounced up to me, wearing a white fur coat, white trousers, white shirt, shoes and socks – complete vision, you know. ‘Hello, I don’t know who I am!’ he said and ran off again. I don’t think he knew who I was, either!He talks about some of the albums he played on in the early days, throwing out lines like “I must get a copy of it one of these days”, which means that someone will read this and send him a copy. Nice move.For most of the second half of the book, Lemmy is consumed with writing about the recording of albums. “We went into the studio and did an album… then we did the next one… then we did the next one…” He also talks a bit about tours, memorable shows, line-up changes, and management grief. Occasionally he pauses for an anecdote, or a bit of philosophizing. Sometimes he talks about writing a song for someone else (Ozzy, Lita Ford, Girlschool, etc), and how he made more money off of writing songs for Ozzy than he ever did in 15 years with Motörhead. He also describes how he got involved in a few unlikely pairings, such as a supergroup he was in with the Nolan Sisters that there’s a cool little video for.The Nolan Sisters were great fun – we used to run across them quite a bit because they were on the charts at the same time Motörhead was. Everybody thought they were soppy little popster virgins but they weren’t. They’d been around – they’d played with Sinatra at the Sands in Vegas. They were tough chicks, managed by their father, but they were really great. And funny as scoot. Once our manager, Douglas, was talking to Linda Nolan in the Top of the Pops bar, and he dropped some money on the floor. When he bent down to pick it up, Linda smirked and said, ‘While you’re down there…’ That was the last thing he expected out of a Nolan sister! Maybe wishful thinking and he dreamt it up, but it shocked the stuffing out of him.Naturally, being fired from Hawkwind gets the full treatment.Ultimately, the first half of the book is way better than the second half, as autobiographies tend to be.Great book. Anybody who’s ever rocked out to Motörhead songs that they didn’t pay for, do yourself and fork out for this; everybody else should as well.

This was a very enjoyable book, but the story was told way too fast. This is like the Anthem version of Lemmy’s life; just the highlights, told in the biggest, baddest, most elbow you in the balls way possible. I would have loved more details of some of these stories. Most are just a couple of paragraphs long and finish something like, “next thing you know, I’ve cracked a bunch of ribs.” Before you can think to yourself, “how do you crack ribs making out with some groupie”, he’s moved on to the next story. Given the quantities of drugs he talked about taking, I suspect that his telling of his life was much like talking to him. Some griping about record companies but, for a man who influenced some of the most successful rock bands in history with out ever being in one of those most successful bands, it’s to be expected. Either way, it’s a fun, fast, shocking read that suits the legend. RIP, Lemmy.

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Download Ebook Design, When Everybody Designs: An Introduction to Design for Social Innovation (Design Thinking, Design Theory), by Ezio Manzini

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Design, When Everybody Designs: An Introduction to Design for Social Innovation (Design Thinking, Design Theory), by Ezio Manzini

Design, When Everybody Designs: An Introduction to Design for Social Innovation (Design Thinking, Design Theory), by Ezio Manzini


Design, When Everybody Designs: An Introduction to Design for Social Innovation (Design Thinking, Design Theory), by Ezio Manzini


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Design, When Everybody Designs: An Introduction to Design for Social Innovation (Design Thinking, Design Theory), by Ezio Manzini

Review

Design, When Everybody Designs by Ezio Manzini is a timely, provocative, and essential read for all those that are engaged in or are affected by design and design processes―in other words, all of us. Whether one is an elite designer, a grassroots activist, a design educator, or a bureaucratic or corporate decision maker, Ezio Manzini challenges us all to rethink the role of design and that of the 'designers' in contemporary society. He wants us to reimagine design's relationship to addressing social innovation and building a sustainable and resilient culture. To say it is must-reading is an understatement–it is a clarion call for a conversation to be launched to rethink what is normal and what ought to be.―Ronald Shiffman, Professor Emeritus, Pratt Institute Programs for Sustainable Planning and Development, Pratt Institute School of Architecture; coauthor of Building Together: Case Studies in Participatory Planning and Community BuildingIn this extraordinary new book, Ezio Manzini challenges us to imagine a future that is more ecologically and socially resilient and more desirable to live in. Through compelling examples of local social innovation around the world today, Manzini shows that it is possible to begin to change the way we think and live, to change how we relate to each other and the world around us, and in the process begin to make the world anew. This book arrives at a critical juncture in human history and provides a way forward.―Joel Towers, Executive Dean, Parsons School of Design, The New SchoolThere is a deep humanism in the work of Ezio Manzini, and it is evident in the clarity and insights of his latest book. I am glad to recommend this book to anyone interested in the role of design in the new culture that we are all creating.―Richard Buchanan, Professor and Chair of the Department of Design & Innovation, Weatherhead School of Management, Case Western Reserve UniversityEzio Manzini's utterly inspiring book describes an emerging social economy in which human and environmental interests converge. We are introduced to an archipelago of microworlds in which a new economy, so long awaited, is being born. In this world, collaboration counts for more than consumption, and relationships are the true source of value.―John Thackara, founder, Doors of PerceptionEzio Manzini's new book grapples with the very pressing question of the emerging role of the (professionally trained) designer in a new global dispensation wherein varying degrees of design can be effected by just about anyone with some basic knowledge of its agency. The book's relevance is enhanced through the generously illustrated and accessible case studies from diverse sociocultural, economic, and geopolitical contexts. This important text is highly recommended to anyone keen to understand the evolving role of the designer, and how this (r)evolution impacts upon the pedagogic, research, and professional practice imperatives of design in the future.―Mugendi K. M'Rithaa, Professor at the Department of Industrial Design, Cape Peninsula University of Technology

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About the Author

Ezio Manzini, a leading thinker in design for sustainability, founded DESIS, an international network on design for social innovation and sustainability (http://www.desis-network.org). He is Honorary Professor at the Politecnico di Milano, Chair Professor at University of the Arts London, and currently guest Professor at Tongji University, Shanghai, and Jiangnan University, Wuxi.

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Product details

Series: Design Thinking, Design Theory

Hardcover: 256 pages

Publisher: The MIT Press (February 20, 2015)

Language: English

ISBN-10: 0262028603

ISBN-13: 978-0262028608

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#346,523 in Books (See Top 100 in Books)

Excellent!

Great book! An fundamental book to understand design aplication beyond products.

First thing first: If there were a “Book of the Year” award in design, I would vote for this one.‘Design. When Everybody Designs’ is an insightful contemporary account on designing social-technical conditions for initiating and supporting collaborative social changes. However, the work is more a (design) proposal and a call for action than an academic examination on the topic. A more precise sub-title might have been: An Introduction to Manzini’s Vision, Stories and Guidelines of Design for Social Innovation. The delimitation would not only be helpful to orient readers’ expectation and but also acknowledge the fruits of Manzini’s decades of labour, and his intention of writing the book. Manzini aims to offer a specific design point of view written in its own language. “(I)t is a contribution to a specific design culture parallel and complementary to others” (p.5). Once it is clear about what the book is and about, it is easier to understand its slight evangelist tone of voice and the omission of other positions that an “Introduction” normally includes. I will come back to this point later, but first the juice.Manzini masterfully assembles and interprets, in short creatively synthesizes, numerous third-party and own projects, concepts and theories from different disciplines to construct his arguments and positions. The key points are: we (particularly in the post-industrialized world) cannot and must not go on living as we did: individualistic, passive and excessive in consumption. Everyone, as ‘diffuse designer’, ought to participate collaboratively in redefining and creating social, economical and environmental well-being sensible to her own contexts. Expert designers should remake themselves and play the new role of activist, initiator, facilitator or supporter in co-designing for social innovation. There are promising design cases, principles, methods, and tools to be employed and improved, as shown and discussed in the book. Expert and diffuse designers should “make things happen”: experiment, replicate and connect. Together slowly but hopefully a new sustainable and meaningful civilization will be created to replace the current dysfunctional one.On the one hand, I am totally inspired and feel that I can follow this book and start experimenting. On the other hand, I am curious about how Manzini draws the lines when he says:“The book crosses various specialist ambits that mingle together in design practice, seeking to elaborate its own point of view and its own language: in short, its own culture. So, although it touches on different disciplinary fields, it is not an interdisciplinary book; it is a contribution to a specific design culture, parallel and complementary to others. This is a culture to whose growth all other social actors may contribute, but it is the design experts who should be its major producers.” (p.5)What specific design culture does he refer? Surely it is not Politecnico Milano since Manzini is interested in contributing to an international debate. Does his design culture includes Tony Fry in Australia, Cameron Tonkinwise in the USA, or Wolfgang Jonas in Germany; or to step a bit further and backward to “Designing Social Systems in a Changing World” by Bela Banathy who has also advanced the idea of creative participation of ordinary citizens for social change.Was Banathy a design expert writing from a design point of view in a design language? Well, I think, Harold Nelson, for example, would think so. And so would Klaus Krippendorff whose idea of design as sense making (The Semantic Turn) has been taken by Roberto Verganti and to whom Manzini refer.Despite its brilliance, this book, like many other design books, is a stand-alone disconnected from other relevant design discourses. Now, to be fair, the other living design thinkers do not necessarily seek connections to Manzini. The academic design culture is rather individualistic. Perhaps in design, a social innovation in which everybody not only designs, but also reads, examines, corrects and builds on others is needed.Best Regards,Rosan Chow, Germany

Excellent book, not for social innovation, but to explain the power of design to change our relations and the power of human society

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Download Victorian Glory in San Francisco and the Bay Area, by Paul Duchscherer Douglas Keister

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Victorian Glory in San Francisco and the Bay Area, by Paul Duchscherer Douglas Keister

Victorian Glory in San Francisco and the Bay Area, by Paul Duchscherer Douglas Keister


Victorian Glory in San Francisco and the Bay Area, by Paul Duchscherer Douglas Keister


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Victorian Glory in San Francisco and the Bay Area, by Paul Duchscherer Douglas Keister

About the Author

Paul Duchscherer is a nationally recognized authority on historic preservation and design history, and is a long-standing member of Artistic License, a professional guild of architects, designers, and craftspeople in the Bay Area. Douglas Keister has been referred to as, America's most noted photographer of historic architecture. His twenty-five books on architecture include five books on Victorian homes.

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Product details

Hardcover: 208 pages

Publisher: Schiffer Publishing, Ltd. (March 28, 2014)

Language: English

ISBN-10: 0764344358

ISBN-13: 978-0764344350

Product Dimensions:

8.6 x 1.1 x 11 inches

Shipping Weight: 2.9 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#2,045,659 in Books (See Top 100 in Books)

Great!

Excellent overview with great photography. One of the better books on San Francisco's Victorians.

I attended college in the Bay Area in the early `60s and have been nostalgically in love with San Francisco and Marin ever since. I spent many, many hours hiking around the city with a couple of friends, climbing the hills, exploring narrow passages between buildings, and generally gawking at the 19th century architecture. I also knew a girl whose grandmother (or aunt, or something) lived in one of the "Painted Ladies" on Alamo Square, the strip now known as "Postcard Row," so I actually got to see the inside of one of the gorgeous homes detailed and depicted in this book. If you're not from there, you likely lump together all of San Francisco's historic domestic architecture as "Victorian" -- but you would be wrong. There's Gothic Revival, Italianate, Second Empire, Stick Style, Shingle Style, Queen Anne, and Colonial Revival, plus various hybrids among and later additions to all of those. Duchscherer is a longtime resident of the city and a highly regarded architectural historian and he leads the reader through the art and business behind these homes, while Keister's lush photography of busy (and occasionally overdone) Victorian interiors will have you drooling on the page. One of my personal favorites is the Westerfeld House in the Western Addition, built in 1889, which includes a fifth floor (!) tower room with an amazing view. Another is Falkirk (originally the Robert Dollar Mansion), built in San Rafael in 1888, a much more rambling Tudor extravaganza filled with a king's ransom in paneling and wainscotting; it was saved from demolition and entirely renovated (thank God) after I left the area, and I shall have to go and visit it the next time I get out there. What a book!

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